Abstract
This article discusses the background, content, mission statements and key contributors of the illustrated magazines Morks’ Magazijn and “Zij”: Maandblad voor de vrouw, both of which sought to make art, science and literature available to a wide reading public. By employing recent conceptualisations of so-called middlebrow magazines and their specific modes of criticism, this article provides an in-depth view of how popular periodicals could shape (and position themselves within) the public sphere at the beginning of the twentieth century and of the role that cultural mediation and literary criticism played in this process.
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