Abstract
This article turns attention to the mystical theology of Tony Kushner’s Angels in America to demonstrate how Kushner aligns the long theological history of spiritual revelation and textual exegesis with the performative associations of camp, the stylised heightening of otherness, citation, and irony central to contemporary gay culture. Kushner’s play underscores the role of the divinely-inspired interloper in the development of both Western religion and the esoteric currents which run beneath, defining mystical experience as a form of camp which has historically ascribed questionable alterity to the receiver. As this article maintains, this suggestive correlation between high camp and esoteric faith works to resist a positivism firmly rooted in the scientific materialism of modernity and which had previously served as the most consistent artistic and academic response to the HIV/AIDS crisis.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
