Abstract
Abstract This analysis of the rhetorical wars around the 2020 US presidential election centers go-go music, a genre that is the cultural expression of the once majority-Black District of Columbia, also known as “Chocolate City.” Combined with other expressive tools in social media and visual art, go-go music amplified Black voices and provided an axis of resistance for a political coalition including artists, elected officials, and street activists, which ultimately toppled a white supremacist political regime.
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