Abstract
Giulia Poggi denies, in a recent study, that «De pura honestidad templo sagrado» describes the small sculpture of the Virgin of Villaviciosa in the Cathedral-Mosque of Cordoba, as suggested by me in 2010, and insists in the supposedly amatory character of the sonnet. In the following pages I demonstrate that neither of the two main arguments adduced by Poggi, a restrictive view of intertextuality, and an arbitrary summary of Pineda’s censorship comments, allow us to decide the point. Lastly, I indicate the comprehension mistakes of some lines of the sonnet by the Italian critic, which have led her astray; and I add some new factual information, related in part to Gongora’s converso condition, recently demonstrated, which strengthen the views that Poggi attempts to deny.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Hipogrifo. Revista de Literatura y Cultura del Siglo de Oro
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
