Abstract
Discussing the debate and ideological background regarding national cinema, this form of art shall be compared to several other contemporary cinematic currents in Turkey. In this study, a content analysis comprising one of the rarer examples of national cinema, the film "Güneş Ne Zaman Doğacak?" (Mehmet Kılıç, 1977) will be conducted while scanning secondary sources on Turkish cinema to present a concise picture; of the phenomenon that is known as 'national cinema.' Distinctive characteristics of the artistic language and the ideological background of the post-1960 Turkish cinema will be provided, among those, the phenomenon of a very blurred line between creative expressions and underlying ideological affiliations and the non-static developmental nature of cinematic fashions in influencing each other.
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