Abstract
Abstract This article explores Asalatu, a form of Islamic music among Yoruba Muslims in Nigeria, against the backdrop of globalization and the impact of Western music. The article points to observed changes in the music and musical possibilities within increasing secularization. Drawing on ethnographic data, the article illuminates tangential issues such as the use of the mother tongue for Islamic music as opposed to Arabic, and the introduction of dance to Islamic music to account for the changes. The article is a major contribution to knowledge in the fields of religion in Africa, Islamic studies, and popular/material culture. Globalization has closely knit nations together such that there is an acceleration of the integration of nations into the global system. Accounting for changes in Islamic music as a result of globalization helps provide insights into the nature of society, whether increasingly religious or secular.
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