Abstract
Saskia Sassen argues that globalisation is taking place deep inside countries and ‘institutional domains that have largely been constructed in national terms’. This type of globalisation is localised to ‘national’ and ‘subnational’ settings, but is reorienting them towards global agendas and systems. The result is an unremarked de-nationalising of national policy domains, processes, activities and instruments. In this article, we argue that these globalising and de-nationalising processes are radically reshaping contemporary Australian film and TV production, and the terms and policy settings under which it is developed and monetised.
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