Abstract
Covid-19, western Sinophobia and geopolitics are raising new questions about Chinese cultural identity, which has become an increasingly contentious terrain at the current historical moment. Stuart Hall’s work provides a way to think beyond racial, cultural and state impositions of cultural identity through ideas of self-positioning, difference and hybridity. Chinese cultural identity as difference and hybridity, however, faces real world challenges in spaces of contested identity such as Hong Kong and Taiwan, and from Sinophobia.
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