Abstract
The multidisciplinary articles in this special issue were developed in conjunction with a research project on the cultures of porcelain in global history, hosted by the Global History and Culture Centre at the University of Warwick. These articles all situate porcelain within wider contexts of material and visual culture. This approach reveals the complexities of the processes involved in the appropriation of Chinese ceramics in England and Iran and in the diffusion of Chinese-style ceramics in the western Indian Ocean, and explores the ways in which ideas about Chineseness were formed, and a global visual culture on the theme of porcelain production emerged.
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