Global art cinema: new theories and histories

Abstract

Foreword Dudley Andrew Introduction Impurity of Art Cinema Rosalind Galt and Karl Schoonover 1. Delimiting the Field Beyond Europe: A Parametric Tradition? Mark Betz Fantastic Trajectory of Pink Art Cinema From Stalin to Bush Sharon Hayashi Towards an Inclusive, Exclusive Approach to Art Cinema David Andrews Unthinking Heterocentrism: Bisexual Representability in Art Cinema Maria San Filippo Interactive Art Cinema: Between Old and Media with Un Chien andalou and eXistenZ Adam Lowenstein 2. Art Cinema Image Art/Cinema and Cosmopolitanism Today Brian Price Between Auditorium and Gallery: Perception in Apichatpong Weerasethakul's Films and Installations Jihoon Kim Pasolini's Exquisite Flowers: The 'Cinema of Poetry' as a John David Rhodes From Index to Figure in the European Art Film: Case of Conformist Angelo Restivo Surrealism in Art and Film: Face and Time Angela Dalle Vacche 3. Art Cinema Histories Volcano and the Barren Hill: Gabriel Figueroa and the Space of Art Cinema Patrick Keating Essay Film as a Cinema of Ideas Timothy Corrigan Cloud-Capped Star: Ritwik Ghatak on the Horizon of Global Art Cinema Manishita Dass Notes on Art Cinema and the Emergence of Sub-Saharan Film Philip Rosen Disentangling the International Festival Circuit: Genre and Iranian Cinema Azadeh Farahmand 4. Geopolitical Intersections European Art Cinema, Affect, and Post-colonialism: Herzog, Denis, and the Dardenne Brothers E. Ann Kaplan Offering Tales They Want to Hear: Transnational European Film Funding as Neo-Orientalism Randall Halle Abderrahmane Sissako: Second and Third Cinema in the First Person Rachel Gabara Tsai Ming-liang's Haunted Movie Theater Jean Ma Traveling Theory, Shots, and Players: Jorge Sanjines, New Latin American Cinema, and the European Art Film Dennis Hanlon Critical Bibliography Notes on the Contributors