Abstract

Prispevek obravnava razvoj glasbeno-gledališke režiji v slovenskem gledališču v času delovanja Dramatičnega društva in Deželnega gledališča do leta 1914. Avtorica skuša odgovoriti na vprašanja, kdo so bili posamezni akterji, ki so zaznamovali razvoj glasbeno-scenskih uprizoritev, katere gledališke šole so zastopali, kakšni sta bili njihova poklicna naravnanost in narodna pripadnost, ter ugotavlja interakcijo med gledališkim in glasbeno-gledališkim uprizarjanjem.

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