Abstract
In Samuel Richardson’s sentimental, epistolary novels Pamela, Clarissa, and Sir Charles Grandison, bonds and embarrassment con sti tute currencies of commerce and sociability. Since sociability is a framework of compulsory social and financial obligation, bondmanship, including suretyship, becomes a metaphor for the perils of reciprocal exchange, social and commercial. In Richardson’s fiction, the social effects of exchanges of literal or figurative bonds or sureties play a role in an economy of embarrass ment that also forms part of an economy of sentiment. Circulating letters become the sentimental equivalents of bonds, while bonds embody the sociability of exchange much as letters do. Still, a close reading of Richardson’s handling of the metaphor of the bond as embarrassment suggests an evolution away from the two-party arrangement in Pamela, and towards the more sophisticated three-party suretyship figuratively deployed by Sir Charles against Lady Beauchamp: the impersonal efficiency of the bondmanship by which he brokers her humiliation resembles the operation of an eighteenth-century securities market.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.