Gilbert Stuart in Britain (1775–1787): A Technical Study of Selected Works From Saltram House, National Trust Property, Devon

Abstract

Results of technical studies conducted on nine paintings representative of the materials and techniques of Gilbert Stuart's early career (1755–1787) in England illuminate the development of the artist's unique painting style during this period. The studies concentrate on six paintings, a series of portraits from Saltram House, a National Trust property in Devon, but also include three works from Tate Britain, London. Using materials typical of the time, Stuart experimented with layer structure and paint application, expressing his primary interest in the sitter's face, and creating a strong and accurate likeness.