Abstract
ABSTRACT Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricately her characters are pieced together through unexpected shot progressions, a non-linear sensibility and the overall logic of Reichardt’s mise en scène. That so many points in her films lead to ‘not knowing’ may have something in common with her preference for a-sexuality, a much more radical, subtle project than sex role reversal. Reichardt’s body of work, as a whole, operates through a mise en scène of sexual difference that is irreducible to a theme or an overt subject.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
