Abstract
FQ contributing editor Brian Hu interviews Grace Lee about her distinctive brand of first-person nonfiction filmmaking, suggesting that her insider-outsider perspective has made her a unique yet exemplary voice in Asian American cinema. At the same time, Lee’s career challenges an auteurist framework to instead emphasize the institutional practices that shape film production and reception. What makes Grace Lee a pivotal author in Asian American documentary isn’t just her significant body of films, but also her vision in seeing documentary production as a form of institution building
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