Abstract
As a promoter and theoretician of Arte povera, Germano Celant (Genoa 1940–Milan 2020) is a figure of reference in international art criticism. His name is associated with projects that have marked the history of exhibitions and defined a specific critical/curatorial militancy. Celant developed his own “informative” practice, informed by journeys, meetings with artists, collections and materials, gradually broadening the horizon from the transnational dimension of the 1960s and 1970s to the pl...
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