Abstract
This essay was first published as “Figures of Memory in the Course of Time” in the exhibition catalog edited by Stephanie Barron and Sabine Eckmann, Art of Two Germanys: Cold War Cultures (New York: Abrams in association with the Los Angeles County Museum of Art [LACMA], 2009), 224–39. It is reprinted here with the permission of LACMA. The artworks mentioned in the essay are easily accessible in the catalog.
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