Abstract
Acknowledgments Introduction 1. Ambivalent Modernism: Perspectives from the 1870s and 1880s 2. German Naturalism 3. Convergences: Music and the Visual Arts 4. Bach, Regeneration, and Historicist Modernism 5. Ironic Germans 6. Dancing in Chains: Strauss, Hofmannsthal, Pfitzner, and Their Musical Pasts Notes Bibliography of Works Cited Index
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