German Fach System as an Example of Professional Classification of Voices in Modern Vocal and Opera Art

Abstract

The purpose of the research is to analyze the principles of voices classification according to the German Fach system through the prism of the integration of Ukrainian singers into world music culture. The research methodology is based on the application of the method of analysis of voices classification, which makes it possible to explore the principles of detailed differentiation of professional voices of opera singers. Source studies and music-theoretical methods were used during the search and analysis of the relevant literature. To substantiate the conclusions on the principles of voice classification, the method of terminology systematization and axiological method were used (to identify the most valuable professional qualities of the vocalist in each classified group). The scientific novelty of the research is that the principles of voice classification in the context of their appropriate professional specialization are analyzed and the principles of the Fach system to certain methods of modern educational vocal practice are extrapolated. Conclusions. In the process of researching the principles of singing voices classification, Fach found that it is based on a detailed analysis of the physical, psychological, emotional and vocal-technical capabilities of the singer in the context of requests for his professional realization in opera. A competitive artistic environment, which is actively expanding through integration processes, necessitates a clear understanding of the value of relevant professional opportunities and proper positioning in the professional sphere. The presence of these objective requests encourages them to be taken into account in the process of vocal formation of the singer, which should be reflected in the choice of certain elements of the methodology of vocal development, and the selection of repertoire and development of artistic thinking.