Abstract
1. Adolph Menzel from different perspectives 2. Theodor Fontane and Max Lieberman: a Prussian comparison 3. Modernism and the 'Alien element in German Art' 4. The Tschudi affair 5. Revolutionary continuities 6. The great dying: notes on German Art, 1914-1918 7. Field Marshal and Beggar: Ernst Barlach in the First World War 8. 'The enemy within': Max Liebermann as president of the Prussian Academy of Arts 9. God's hammer.
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