Abstract

My article considers German wartime propaganda and pedagogy from 1914 to 1916, which influenced young schoolchildren (aged 5–14) to create drawings and paintings of Germany’s military in World War I. In this art, the children drew bodies of German soldiers as tough, heroic, on the move, armed with powerful weapons, and part of a superior military movement; their enemies (French, Russian, British soldiers) embodied disorder, backwardness, ineptitude, and deadly weakness. The artwork by these schoolchildren thus reveals the intense propaganda of the war years, and the children’s tendency to see the German military as the most accomplished combatant in the war. During the first two years of the war, in the primary schools of the nation, many children did such art under the supervision of teachers who passionately embraced the nation and the war cause. Within the classroom, teachers directed students to imagine the war by drawing scenes of battles, including the sinking of the Lusitania. Some of these teachers had been influenced by the Kunsterziehungsbewegung (the arts’ education movement) and thus encouraged children’s creativity in art of the war years. In this pedagogical wartime environment the young student became actively engaged in creative learning and study about the war, expressing romantic ideas of the indomitable German soldier and sailor. My research has involved analysis of over 250 school drawings done by children aged 10–14 in a school in Wilhelmsburg, near Hamburg, in 1915. I analyze the depiction of the German forces in six of these sources and also consider the history of art instruction in German schools. Furthermore, I address the ways in which historians can analyze children’s art as a historical document for understanding the child’s experience.

Highlights

  • My article considers German wartime propaganda and pedagogy from 1914 to 1916, which influenced young schoolchildren to create drawings and paintings of Germany’s military in World War I

  • The children drew bodies of German soldiers as tough, heroic, on the move, armed with powerful weapons, and part of a superior military movement; their enemies (French, Russian and British soldiers and sailors) embodied disorder, backwardness, ineptitude, and deadly weakness. The artwork by these schoolchildren reveals the intense propaganda of the war years and the children’s tendency to see the German military as the most accomplished combatant in the war

  • Art teachers directed students to imagine the war by drawing scenes of battles and hospitals, or by making postcards and models. Some of these teachers had been influenced by the arts’ education movement or Kunsterziehungsbewegung, which encouraged children’s natural creativity in art. Their young students became passionate supporters of the German cause, expressing romantic ideas of the indomitable German soldier, this was an image at complete odds with the reality of the actual pain, suffering and trauma of the front-line fighter

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Summary

War and the German child

Children’s lives in Germany were fundamentally transformed by the war that began on August 1st, 1914. After the first year of the war, when the expected victory did not happen and when the men did not return home, children witnessed their mothers struggling with illness, exhaustion, worry, and depression (Whalen, 1984: 77–78). Upwards of 600,000 children lost their fathers and grappled with the absence of male authority figures through the breathless years of the Weimar Republic (Stambolis, 2014: 43; 106–108) Despite these tough conditions there is plenty of evidence to show that German boys and girls were thrilled by what they saw as the adventure of the war and that many continued to support the war cause until the very end of hostilities in 1918 (Donson, 2010: 198). The physical pains of our dog Bauschan were of more concern to us” (quoted in Wildt, 2009: 25)

The arts education movement
The drawings
Conclusion
Author biography

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