Abstract
Thus Giorgio Strehler wrote in 1979. Often during his career and in his theoretical reflections, Strehler counted Brecht among his masters, along with Jacques Copeau and Louis Jouvel. In his eyes, Brecht is not the antagonist of the two French directors, but rather a point of intersection. As he wrote, "What Brecht taught me — among other things — is human theatre, rich, wholly theatrical (like Jouvet's, in a sense), but not self-absorbed; a theatre that is not only theatre."
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