Abstract

During the formative years of the Association for Canadian Theatre History, its members recognized the need for establishing basic records of dramatic activity within communities. Most members believed that a series of local studies and performance calendars, detailing the theatrical history of various towns and cities across the country, would engender a true basis for investigating the larger patterns of Canada's cultural development. Unfortunately, few such studies were undertaken and fewer completed. If nothing else, Theatre Lethbridge reminds us of why the founders of the association placed such importance on the preparation of local studies and calendars of performances. Mann documents the history of theatre in Lethbridge, provides new insights into the cultural setting of theatre on the Prairies and within Canada, and challenges us to rethink some established beliefs and attitudes.

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