Abstract
Using Christopher Bollas’s concept of transformational object, the author reflects on George F. Handel’s “How Beautiful Are the Feet” as a song that has sustained him and informed his vocational self-understanding as a pastoral theologian. The author reflects on the role of his mother and paternal aunts in fostering a model of care that instilled in him a sense of hope. The author concludes by reflecting on the kinetic quality of pastoral theology and the need to reclaim an agile, even playful understanding of hope.
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