Abstract

The authors of Genesis, and other books in the Pentateuch, created their text by taking myths and stories that had arisen in various sections of their society at different stages of its development, and by means of a process of combination, re-arrangement and redaction, they re-wrote them to provide an interpretation suitable for their society in quite new historical circumstances. These circumstances were extreme — they were a people cut off from their homeland and their origins, exiles in the superior and sophisticated civilisation of imperial Babylon. In his account of the Creation and the Fall, the Yahwist historian (as scholars refer to this one of the two authorial narratives of Genesis) addresses himself to a people experiencing political subordination and alienation from the culture in which they are living. Hence, he takes up what would be an understandable preoccupation for them in such circumstances — a reflection on the origins of human culture.Juliet Mitchell, in her book Psychoanalysis and Feminism embarks on a project that, in some sense, resembles that of the Yah-wist historian. ‘All questions relating to the position and role of women in society’ she says, ‘tend sooner or later to founder on the bedrock of “where did it all start”?’ This, too, is a question about the origin of human culture, and what it implies for the subordinate position that women find themselves in. By taking Freud’s psychoanalytical myth of the origins of patriarchal society, together with Engel’s historical materialist account of women’s subordination in the institutions of the family, private property and the state, she re-appropriates for feminism two of the most important critical traditions of our society

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