Abstract
In 64% of Rembrandt's female portraits the poser's left-cheek faces the viewer. However, this occurs in only 33% of his male portraits. This asymmetry is consistent with viewers rating Rembrandt's left-cheeked male portraits as likely to be avoided, which may reflect that aggressive displays of dominance are governed by the contralateral right-hemisphere, while rating left-cheeked female faces as likely to be approached may indicate sexual attractiveness. Rembrandt's exposed-cheek gender difference paints both sexual selection and dominance as being governed by the right cerebral hemisphere.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.