Abstract

Based on research in physical anthropology, we argue that brightness marks the abstract category of gender, with light colours marking the female gender and dark colours marking the male gender. In a set of three experiments, we examine this hypothesis, first in a speeded gender classification experiment with male and female names presented in black and white. As expected, male names in black and female names in white are classified faster than the reverse gender-colour combinations. The second experiment relies on a gender classification task involving the disambiguation of very briefly appearing non-descript stimuli in the form of black and white ‘blobs’. The former are classified predominantly as male and the latter as female names. Finally, the processes driving light and dark object choices for males and females are examined by tracking the number of fixations and their duration in an eye-tracking experiment. The results reveal that when choosing for a male target, participants look longer and make more fixations on dark objects, and the same for light objects when choosing for a female target. The implications of these findings, which repeatedly reveal the same data patterns across experiments with Dutch, Portuguese and Turkish samples for the abstract category of gender, are discussed. The discussion attempts to enlarge the subject beyond mainstream models of embodied grounding.This article is part of the theme issue ‘Varieties of abstract concepts: development, use and representation in the brain’.

Highlights

  • One can observe and infer, or even demonstrate how an abstract category is represented without having to design a carefully crafted experiment to reveal whether an abstract category is made accessible by means of a metaphor or not

  • One of the early contributions to research on the role of Conceptual Metaphor Theory ([9,10]; see [11]) identified the sensory opposition between brightness and darkness as grounding the abstract category of valence [12]

  • The three experiments reported here show a systematic relationship between the brightness dimension and the gender categories

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Summary

Introduction

One can observe and infer, or even demonstrate how an abstract category is represented without having to design a carefully crafted experiment to reveal whether an abstract category is made accessible by means of a metaphor or not. A defining feature of the category may be there for the cognitive ‘grabbing’ There is an assumption that white or bright is associated with female and black or dark with the male. This sensory dimension—bright to dark—is a distinctive feature of gender and gender-related actions [1]. Evidence that the gender categories, female– male and the sensory dimension—bright to dark—are associated We start with providing first the background against which the studies we report were conceptualized This is followed by an overview of the three studies on the pervasive presence of the association between the sensory dimension of brightness – darkness and our representations of gender

Background
Shades of the flesh: sexual dimorphism of skin colour
Overview
Experiment 1
Experiment 2
Experiment 3
Discussion
Findings
General discussion and implications
Full Text
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