Abstract

This paper explores gender relations in the City of London advertising industry. It argues that the gender imbalance in the highest ranking positions and the stifled career progression of women in the industry are a result of social, structural and institutional factors rather than individual choice, lack of ‘talent’ or the absence of mentors or appropriate role models. We discuss the organisation and spatiality of the advertising industry in London, significance of social networking within and beyond the firm, and problematise the notion that female childbearing and caring are the primary determinants of women’s truncated career trajectories in advertising. The research reveals that whilst age, gender and domestic divisions of labour combine to reinforce occupational sexual divisions of labour in the advertising industry in London, these inequality regimes are amplified by the industry’s precariousness, informality and requirements for flexibility. Attempting to explain away gendered divisions of labour solely on the basis of women’s role in social reproduction deflects attention away from other key determinants of inequality, most notably the pace of advertising work and the geographical concentration of the industry within London. These are further accentuated by deep-rooted forms of homophily and homosociality – those unspeakable inequalities that call into question the dominant post-feminist rhetoric that ‘all the battles have been won’ . We analyse the ways in which homosociality has been crucial in maintaining insidious sexism which has made it very difficult for female creatives to obtain the most prestigious roles at work. Taken together, the organisation and geography of the sector, the rhetoric of buzz and egalitarianism, the ‘motherhood myth’ and the homophilic practices at work within advertising combine to create deep and enduring gendered inequalities.

Highlights

  • This paper focuses on gender and work in the advertising industry in London, a key sector in the United Kingdom’s Cultural and Creative Industry (CCI) characterised by plurality and diversity of employment

  • The results presented emerge from a qualitative, feminist geographical methodology that involved semi-structured ethnographic interviews supported by visual analysis and secondary data. 24 senior women working in the advertising industry in London were interviewed over a four month period between July and October, 2015

  • This research has revealed that the social networks, agglomeration economies, heteronormative views of gendered divisions in parenting, a male model of organising and embedded homosocial practises through which the advertising industry operates reproduce specific forms of occupational inequality

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Summary

Introduction

This paper focuses on gender and work in the advertising industry in London, a key sector in the United Kingdom’s Cultural and Creative Industry (CCI) characterised by plurality and diversity of employment. It explores the factors that might explain the pronounced occupational gender divide in the industry that take us far beyond calls to develop the female ‘talent’ pool or to enhance competitiveness It reveals that the nature of advertising work and the social practices that reproduce gendered occupational divisions of labour are giving rise to new, more subtle forms of sexism. This less visible set of sexist practices require workers to perform new, flexible, unencumbered labouring subjectivities, requiring them to be always on, always available, anytime, anywhere.

Methodology and empirical rationale
Problematising the Motherhood Myth
Findings
Conclusion
Full Text
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