Gender, Humor, and Power in Old Norse-Icelandic Literature

Abstract

Gender is one of the most fraught topics in Old Norse-Icelandic literature, and medieval authors made productive use of laughter and humor, inviting the audience to laugh with, or at, their characters, based on how good or unsuccessful they are at fulfilling ideal male or female roles.1 Sagas and eddic poetry are noted for brave heroes who die with a sarcastic remark on their lips, and formidable women who coldly laugh as they demand that someone be killed. These characters are likely to ref lect a society preoccupied by honor and the heroic ethic. In sagas inspired by romance, where women’s independence is the central theme, laughter becomes a weapon in the battle of the sexes, and instead of men laughing at other men, they join ranks to laugh at women. This article examines how the employment of laughter and humor, not only its comical but also its ludicrous and incongruous aspects, plays a fundamental role in the construction and representation of gender in Old Norse-Icelandic texts, and reinforces or interrogates existing models of masculinity and femininity.