Abstract
Between 1880 and 1904, African American residents of Freedmen’s Town in Houston, Texas, were buried in the Third New City Cemetery. Using an assemblage of clothing fasteners recovered during excavations of the cemetery, I attempt to identify patterns of use and to interpret the kinds of clothing ensembles represented among men and women. The main goal of this study is to discern potential gendered patterns of clothing-fastener use that could assist in analyzing similar data from other sites. A related, secondary focus of this research is the working-class, gendered identity of black Houstonians and the roles of consumerism and clothing within the context of a segregationist Southern city.
Published Version
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