Abstract
Gender discourse as an offshoot of feminism has become an important factor in the global discourse on development. As a feminist, Tess Onwueme has often high-lighted her discussion of topical, national and global issues against the metaphorical backdrop of women exploited and disfranchised but identifiable with the nation/state. This paper seeks to illustrate the discussions of gender and topical/national issues through a focused examination of one or two of Onwueme’s plays, namely: What Mama Said and No Vacancy. This will by no means limit our referencing to any other of her works. By this examination we also seek to present the playwright as a committed sensitive and creative artist who speaks for and seeks to lend voice to the voiceless.
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