Abstract

Focusing on queer protest cultures in downtown Sao Paulo, this article investigates how urban spaces function as a “national stage” for the public dramas of political crises that took place between 2010 and 2018. In the culture war debates over sexual minority and gender identity rights that pervaded national politics in this period, protest served as a key venue to articulate not only queer visibility but queer political affect. The key to these protests is their site-specificity. The street is not just the site where protest takes place—ratherit is an important ideological construct within Brazilian society and political imagination. Drawing on performance studies with an emphasis on the choreography and design of protest, this article examines how protest as a genre of street occupation frames queer lifeworlds as it presents them to the national public. LGBT people’s struggle over and attachments to distinct locations in Sao Paulo, such as Paulista Avenue, become operationalized as part of the message of protest. Because of Sao Paulo’s concentration of news media, the streets of Sao Paulo’s downtown district play a distinct role in transmitting nationalized sentiment.

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