Gay Mexican Pornography at the Intersection of Ethnic and National Identity in Jorge Diestra’s La Putiza

Abstract

This article aims to offer an analysis of the way that issues of national and ethnic self identity are structured and constructed in Mexican gay pornography. Unlike theorists who regard pornography as a matter of sex discrimination and argue that it simply undermines any positive attitudes towards homosexuality, this article argues that Mexican gay male pornography has served as a point of self reference for homosexual men in the country, while it has also helped to foster a degree of visibility for the gay community in mainstream culture. Through an analysis of the film La Putiza (2006), made by the emerging porn house Mecos Films, it will be demonstrated that Mexican male homosexuals do not regard pornography as a cultural product intended to the objectification of the gay community and its members. This film clearly stresses ethnic and national identity as the basis to contest the hegemony of Anglo-European gay pornography in which notions of Latin(o) identity have been caricaturised and heavily troped. This film borrows elements that are pertinent to the specificity of the national gay imagery, as well as film genres that are regarded as quintessentially Mexican. Therefore, the combination of Aztec heritage narrative and wrestling subtexts permit to posit this film as an alternative to the kind of images of Latin(o) homosexuality that are portrayed in Western pornography, while it also stresses national identity by using themes that circulate in the national imaginary as exclusively Mexican. In short, the emerging Mexican gay pornographic industry and the film that it produces prove to be a site of contestation of the hegemony of “Latinised” images that have been offered in foreign pornographic accounts, while they also become a site of validation for gay men whose physicality or ethnic heritage has been rejected within the politics of the erotic.