Abstract

Creative artistic batik inspired by Garudeya sculptures carved on the reliefs of Sukuh Temple in Karanganyar, Central Java, Indonesia. The process of making batik is focused on preserving traditional arts as a form of cultural resilience. Preservation can be interpreted as maintaining, caring for and protecting. Conservation is the preservation of the form of development and use of values. Conservation is more prioritizing in the development of response alternatively to the condition of art and culture globally. This study aims to make prototypes and designs of batik as artistic creations sourced from reliefs of Garudeya sculptures carved on the outer walls of Sukuh Temple. To achieve this goal, it requires an experimental method of reproductive form with garap (work on) innovation, a sanggit work with a concept of revitalization. The method of creating sanggit works has a level of importance that refers to the form of traditional arts preservation, by trying to provide alternative artworks with the reproduction technique of garap innovation. Technically experienced processing reduction through the elements; contour lines, colouring techniques and content fields in thematic engineering. Conservation with the concept of revitalization and reinterpretation, producing prototypes and batik designs as artistic creations inspired by the Garudeya sculpture carved into the reliefs of Sukuh Temple. The artistic creation of the "Garudeya" batik inspired by the Garudeya Sculpture is a symbol of Garuda as a liberator figure who is part of the search for Tirta Amerta (living water) story contained in The Adiparwa book. The creative design of batik as an innovative design with the concept of batik patterns which layouts: (1) The main motive was inspired by the aspirations of the Garudeya sculpture carved in the reliefs of the Sukuh Temple, (2) Interlude motives (supporting motives) are made oriented to mountain flora around the mountains where Sukuh Temple is located. Keywords: Artistic Creation, Conservation, Prototype, Garudeya DOI : 10.7176/ADS/79-04 Publication date: December 31 st 2019

Highlights

  • Artistic creative entitled "Garudeya Batik" is a typical batik of Karanganyar Central Java Indonesia, which was created with aspirations for the Garudeya sculpture carved in the relief of Sukuh Temple in Karanganyar Central Java Indonesia

  • Image: Garudeya Sculpture of Sukuh Temple The Garudeya sculpture is a symbol of Garuda as a liberator figure who is part of the search for Tirta Amerta story contained in The Adiparwa book, the first book of The Mahabharata

  • Karanganyar, among others, as the center of interest is the Garudeya symbol engraved in the reliefs of the Temple contained in the Sukuh Temple, the Garudeya motif as the main motif combined with the tortoise motif as a supporting motif, separately structured and developed but still representing the meaning of the Garudeya symbol Sukuh Temple Apart from the main motives, the combined motifs of the charm of nature tourism as supporting motives include the motifs of the Tea Kemuning leaves, the charm of Mount Lawu

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Summary

Introduction

Artistic creative entitled "Garudeya Batik" is a typical batik of Karanganyar Central Java Indonesia, which was created with aspirations for the Garudeya sculpture carved in the relief of Sukuh Temple in Karanganyar Central Java Indonesia. Batik creation is focused on preserving traditional arts as a form of cultural resilience. Conservation is the preservation of the development form and use of values. Conservation is more prioritizing in the development of response alternatively to the condition of art and culture globally. To welcome the global era, the alternative that we have to build is how to conduct local studies (traditional art) that can become an alternative to the development of art towards a global ideology, so that global phenomena will become increasingly local. The development of modern art with a touch of the traditional art of the Nusantara (Archipelago), which we later refer to as a sanggit work of art in the Indonesian paradigm of fine artworks.

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