Gana’Jôh: Haudenosaunee Pedagogies of the Drum Letters From the Woodshop

Abstract

This article presents reflections on a drum-making workshop organized for young Haudenosaunee men on Six Nations of the Grand River territory in a region now known as Ontario, Canada. Imbued with an inductive character, we reflect on the disconnections between Indigenous and Western ways of knowing and draw on transdisciplinary methodological approaches to praxis. The main body of the article is constructed through a series of letters where each author reflects on the tensions and contradictions between Indigenous ways of knowing and the modes of knowledge creation promoted through academic White settler ideals. Drawing on Indigenous epistemologies from Leanne Betasamosake Simpson we argue that material production in relation to the making of Haudenosaunee drums can become pedagogy and fuel Indigenous-specific resurgence and intelligence. After we introduce ourselves and sketch the context for our project, the narrative proceeds through two voices in conversation. Each co-author reflects on the insights that emerged from an effort to decolonize learning through the pedagogies of the drum.