Futurism from foundation to world war: the art and politics of an avant-garde movement

Abstract

The cultural influence of the Futurist art movement on the modern era is undisputed. Of course, it is also undisputed that the movement was deeply involved in the politics of both liberal and Fascist Italy. Futurist politics were characterized by a pronounced nationalism and imperialism, but in the early years were also known for advancing ideas more associated with the extreme left, such as republicanism, anti-clericalism, and workers’ advancement through revolution. There is no consensus on how to narrate Futurist politics, or their relationship to Futurist art. Were the politics more of the left or the right? And, more to the point, should the politics be studied in isolation, or as integral to the broad ‘Futurist Reconstruction of the Universe’? This article takes the latter approach and offers an interpretation that unifies the art and politics of the Futurist movement from its foundation in 1909 through to Italy’s entry into the Great War. I argue that the Futurists themselves did not differentiate between their cultural initiatives to modernize Italy or their political interventionism. In looking at key moments in the political evolution of the movement, and the corresponding artwork of the period, I show that Futurism offered a confused political message in its first years, mixing elements of the left and right, but after the Libyan War and especially in the interventionist period, the political message became much more stridently nationalistic and bellicose, and such themes became prevalent in the art of that time.