Fueling ecological neglect in a manufactured tourist city: planning, disaster mapping, and environmental art in Cancun, Mexico

Abstract

This article explores how tourism urban governance fuels patterns of ecological neglect. It turns a critical eye on Cancun, a leading Caribbean beach tourist destination and battered epicenter of anthropogenic climate change. First, the article contextualizes Cancun’s design and construction as a state development project and manufactured tourist city. It describes the city’s socio-spatial segregation and highlights the role of hurricanes in processes of beach enclosure. Second, it explores a series of risk maps elaborated as responses to international demands on coastal disaster mitigation and beach erosion. I show how local authorities, academics, and the Mexican state are bound to disregard risk maps to further enclose the Caribbean beach and keep the city productive for tourism. Finally, I look at the adoption of anthropogenic narratives on climate change as tourist attractions in Cancun’s Underwater Museum of Art, a unique coalition between conservation, art and tour-operators in the city. I show that turning sea level rise and ocean acidification into tourist spectacles through copyrighted art, this attraction depoliticizes tourism’s responsibility in patterns of environmental degradation. The article serves to reflect on the tacit paradoxes that plague efforts to imagine alternative environmental politics and sustainable tourism urbanisms outside neoliberal trends.