Abstract
EDITORAmy Cooper Cary (2020–2023), Marquette UniversitySumayya Ahmed (2019–2023), Simmons UniversityRebecca Hankins (2022–2023), Texas A&M University LibrariesKatharina Hering (2019–2023), German Historical InstituteEric Hung (2020–2024), Music of Asian America Research CenterShadrack Katuu (2019–2022), United Nations Mission in South SudanReviews EditorRose Buchanan (2021–2024), National Archives and Records AdministrationStephanie Luke (2021–2024), University of Illinois at Urbana‐ChampaignJessican Lacher-Feldman (2020–2024), University of RochesterMark Matienzo (2021–2025), Stanford University LibrariesMarlee Newman (2021–2025), Archival ConsultantKathryn Puerini (2020–2024), Archival ConsultantSylvia Welsh (2020–2024), Harvard UniversityAmerican Archivist (ISSN 0360-9081) is published semiannually (Spring/Summer and Fall/Winter) by:The Society of American Archivists17 North State Street, Suite 1425, Chicago, IL 60602-3315 USATel 866-722-7858 or 312-606-0722 Fax 312-606-0728 www.archivists.orgThe entire run of American Archivist—from 1938 to date—may be accessed at AmericanArchivist.org.Subscription rate; $289Articles and Ideas:Amy Cooper Cary, Editor, AmericanArchivist@archivists.orgReviews (books, exhibits, tools, resources):Rose Buchanan and Stephanie Luke, Reviews Editor, reviewseditor@archivists.orgProduction and Advertising:Teresa M. Brinati, Director of Publishing, tbrinati@archivists.orgAbigail Christian, Editorial and Production Manager, achristian@archivists.orgThese music flyers and recordings from the 1990s were donated to the New Brunswick Music Scene Archive at Rutgers University's Special Collections and University Archives by musician Eddie Konczal. The Budapest Cocktail Lounge, featured prominently in the spread, was a key music venue in New Brunswick, New Jersey, in the late 1990s. The Buda Bootlegs, highlighting bands that frequented the Budapest such as Spiral Jetty, Buzzkill, The Blisters, and Chris Harford & the Band of Changes, were recorded on portable cassette player at the venue. Through the lens of the New Brunswick Music Scene Archive, Christine A. Lutz discusses building local music archives and connecting with donors by engaging the scenes approach from popular music studies in “ Making a Scene: A Scenes Approach to a Local Music Archives.” Photo courtesy of Franklin Bridges.
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