Abstract

With the invention of the concept of ‘geophilosophy’, Deleuze and Guattari did not intend to invoke a new subfield of philosophy; for them, all philosophy is geophilosophy by virtue of its constitutive relationship with contingency. What is less well understood, however, are the implications of Deleuze and Guattari’s geophilosophical approach for how we think about subjectivity today. Working against phenomenological forms of ‘earth-thinking’ that tend to reduce the ‘geo-’ to a phenomenological concept of ‘world’, Deleuze and Guattari conceptualize the earth as an immanent plane of forces that both precedes and exceeds the subject. Turning to Deleuze’s earlier essay on the literature of Michel Tournier, this paper offers a reading of geophilosophy in which aesthetic practices help us to grapple with the unthought forces of the earth beyond the phenomenological logic of world, and where art itself becomes a process that radically refigures our sense of what subjectivity can become.

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