Abstract
In this article we put forward an alternative account of the famous wristguards, or bracers, of the European Early Bronze Age. Combining new materialism with empirical microwear analysis, we study 15 examples from Britain in detail and suggest a different way of conceptualizing these objects. Rather than demanding they have a singular function, we treat these objects as ‘multiplicities’ and as always in process. This, in turn, has significant implications for the important archaeological concepts of typology and object biography and our understandings of material culture more widely.
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