Abstract

By anchoring the title to a cultural context, it is possible that a universally valid title form (uniform title) does not exist or exist; the form used at the national or regional level is a form commonly used in that or those countries, that is, in a local or national context, not a global one. The concept of preferred title goes beyond, relativizing it, the cataloging model, considered an absolute time for every reality; it is acknowledged that what is valid for a specific cultural and linguistic context does not necessarily apply to the international context. The dissimilar historical behavior is exemplified by two examples: “One Thousand and One Nights”, and “The Chanson de Roland”.

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