Abstract
Franz Rosenzweig's The Star of Redemption comes before the Shoah and Maurice Blanchot's The Writing of the Disaster comes after it. The one addresses itself with hope to the figure of a star; the other meditates on the state of being without a guiding star. The figure of Emmanuel Levinas stands between these two works, since Totality and Infinity is marked by Rosenzweig's critique of totality and The Writing of the Disaster is in part a response to Levinas's philosophy. Both Rosenzweig and Blanchot propose a new way of thinking, one that calls unity into question. This essay seeks to clarify what ‘thought’ means for Rosenzweig and for Blanchot. In what ways do Rosenzweig and Blanchot converge? In what ways do they diverge?
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