Abstract
Abstract This article aims to highlight the importance of matte painting in cinematographic construction and to emphasize the analytical value of these pieces of artwork. To this end, three painted scenes were chosen and subjected to a multifaceted analysis that underlines their contribution as pictorial creations, their role in landscape painting tradition, and their function as an element of filmmaking construction, within a set film model, while providing evidence for the unique ways in which this technique connects film and painting.
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