Abstract
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Highlights
We are grateful for their commitment to bringing screendance practices into dialogue with the wider world through themed issues and invited guest writers
We would like to acknowledge their considerable work in supporting those submitting articles to the journal: through robust criticism and a nurturing generosity they have helped to foster a new generation of writers facing up to the challenges of writing in response to the spectrum of practices generated in the field
In 2018, the collective Future Mellon / Not Yet Art2 and the cultural association VeNe3 launched a festival, Screendance Landscapes,4 that included an archival program which revealed an extraordinary cache of experimental screen dances and animations, first shown on Italy’s RAI Uno channel in the late 1980s
Summary
It is with great pleasure, and many questions, that we embark on editing The International Journal of Screendance. We are grateful for their commitment to bringing screendance practices into dialogue with the wider world through themed issues and invited guest writers. In 2019 our experience of screen media has shifted; ‘screen space’ can mean any number of different formats, platforms and viewer engagements, and this expands the possibilities for screendance as a cultural practice, both through the affects it creates and the communities it serves.
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