Abstract

The historicity of youth culture studies is much challenging to date exactly. Sociologists however, trace its genesis from Chicago School and then leap to Birmingham’s Centre for Contemporary Cultural Studies. Theoretically it was, with the works of post subculturists that youth culture research gained ascendency. Global youth culture posture further revamped the field. This paper constructs a critical dialogue between the wide-ranging theories and research on youth culture and global/local relations in this sphere. It is revealed that the current ascendancy of post-subcultural studies margins the significance of sociological research to broader youth queries and does little to extend the case that youth studies should be more sociologically relevant and important. Youth lives in no island of its own and it is not all young people- who have the possibility of engaging in the consumerism, central to some post-sub-cultures. Conversely, youth and their cultures are framed within and to large extent shaped up by social divisions and inequalities. Against this backdrop, it is suggested that youth culture research would prove fruitful only when clubbed with ‘transition approach.’ Possibly this refit would not only facilitate to widen and thrive the significance of contemporary youth culture studies, rather may help in theoretical sophistication, empirical renovation and a more holistic sociology of youth.

Highlights

  • The study of youth cultures has a long-established history

  • The most influential work to date has originated from the “Centre for Contemporary Cultural Studies” (CCCS), which was established in the 1970s at Birmingham University

  • There is insinuation that the current ascendancy of post-subcultural studies margins the significance of sociological research to broader youth queries and does little to extend the case that youth studies should be more sociologically relevant and important (Shildrick and MacDonald, 2006)

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Summary

Introduction

The study of youth cultures has a long-established history. Contemporarily, the most influential work to date has originated from the “Centre for Contemporary Cultural Studies” (CCCS), which was established in the 1970s at Birmingham University. I will attempt to offer a conjecture analysis of the theoretical positions engaged with global youth culture, consumerism and cultural fluidity and move onto explain the backdrop of post-subculturists, who consider subcultural identity as ‘free-floating signifiers’ played away from social structures.

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