Abstract
A selection from the correspondence between Pierre Boulez and John Cage appeared in October 65 (Summer 1993) to mark the publication of the complete letters in a bilingual edition that had begun to fill a lacuna in the Cage literature by partially documenting the period leading up to Cage's breakthrough to chance principles of composition in 1949-50.1 Cage's transition from the composer of works such as the Sonatas and Interludes of 1947-48-which even Heinz-Klaus
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