From Temple to Theatre: The Making of Commercial Grassroots Performance Spaces in Republican China

Abstract

Abstract: This article analyzes the transformation of xiqu (traditional Chinese theatre) performance space in Republican China (1912–1949), focusing on the performances in Wenzhou, Zhejiang Province. It investigates the institutional and habitus differences compared to larger urban areas, and changes in admission rules, particularly the implementation of ticketed admission, which transformed temples into commercial theatres. Disputes over ticketed admission, involving local officials, residents, and Japanese, emerged due to the new admission rules, which differentiated between audience and non-audience members and regulated entry into the performance space. This monetization strategy contributed to the reorganization of the local entertainment market and was followed by the conversion of temples into commercial theatres during the 1930s. This article argues that an alternative “modernization” process and spatial politics rooted in the aspiration to build a modern state was nurtured by cultural interactions but also emerged from the local context, which profoundly influenced the local spatial understanding and local society. This process was closely linked to, yet distinct from, colonial modernization. The development of cities modernized by colonization had become one of the main driving forces behind the development of the cities within their radius .