Abstract
Snoo Wilson has remained one of the most distinctive of those playwrights who emerged from the ‘generation of 1968’ – but unlike his collaborators in the early Portable Theatre, he has never been at home on the big stages of the establishment theatres. Sadly, this has also tended to deny him his proper share of critical and, indeed, audience attention: his highly allusive yet also highly elusive style has thus remained a specialized taste, and many of his plays have been denied even the dignity of publication. Accordingly, we accompany the following article by Ada Coe, in which she examines one of the many threads which contribute to Snoo Wilson's work – his recurrent concern with the world of animals and its symbolism – with an ‘NTQ Checklist’ of Snoo Wilson's complete dramatic output compiled by NTQ Editor Simon Trussler. in collaboration with Malcolm Page of Simon Fraser University. British Columbia, and NTQ's assistant editor, Elaine Turner.
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