Abstract
Three dramaturgs working with dance artists in Canada were tasked to share a summary and response to the Society of Dance History Scholars conference on dance dramaturgy in Toronto (2011) at a plenary closing panel. This article offers Pil Hansen's contribution to the panel alongside comments from DD Kugler and Jacob Zimmer. Perspectives presented at the conference by Bojana Bauer, Bonnie Brooks, Thomas DeFrantz, Christina Goletti, Elizabeth Kattner, Gabriele Klein, Jodie McNeilly, Selma Odom, Katherine Profeta, Freya Vass-Rhee, and Laura Vriend are recalled with a proposal to use them as a prism that can advance the field instead of regarding them as opposing positions and definitions.
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