Abstract
Romantic-Period Poetry and the 'Sweet Power of Song' 'Ballad Deception' and Scott's Minstrelsy of the Scottish Border The Lay of an Irish Harp: The Pseudo-Songs of Sydney Owenson (later Lady Morgan) Contradictory Arts: Thomas Moore's Irish Melodies 'It Gave Them Virtues Not Their Own': Byron's Hebrew Melodies Conclusion
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